Anne Hathaway has had a rollercoaster past four months, with the lows of Mother Mary and, to a lesser extent, The Devil Wears Prada 2 followed by the towering high of The Odyssey. It’s fitting, then, that she now goes full theme-park cinema with The End of Oak Street, a rollicking hybrid of The Outer Limits and Jurassic Park whose goofy thrill-ride instincts are its greatest strength.
It’s a tad too self-conscious to truly stand on its own, but as far as monster-mash throwbacks go, it boasts considerable bite.
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