That Sam Raimi hasn’t made a non-franchise film in seventeen years isn’t just a sorry commentary on the IP-infatuated state of the industry—it’s a criminal waste of one of Hollywood’s most singularly dynamic directors.
Consequently, it’s a major victory and thrill to have him back at the helm of an original gonzo affair with Send Help.
A tale of misogyny, survival, and rebirth through vicious individualism, it’s a joyous return to form for the Evil Dead auteur, whose no-holds-barred verve is equaled by that of Rachel McAdams as a put-upon cog in the corporate machine who gets the chance to prove her rugged worth.
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