The actor Daisy Edgar-Jones has a shifting, slightly elusive quality.
It’s not that she’s a chameleon, unrecognizable from role to role, nor exactly a juiceless cipher. Instead, she has the ability to resemble a variety of other performers, whether the scrappiness of Felicity Jones or fellow Daisy Ridley (wouldn’t it be easy to picture her plugged into a Star War?), the raw-nerve sensitivity of Kristen Stewart, or, as in her new movie On Swift Horses, Anne Hathaway in repressed-young-housewife mode.
Maybe it has to do with the number of times this English performer has flattened out her accent to play All-American, whether storm-chaser or marsh girl.
The post ‘On Swift Horses’: Jacob Elordi’s Gay Romance Drama Finally Arrives appeared first on The Daily Beast